THE BASIC PRINCIPLES OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

) On top of that, the film provides in one of the stereotypes we see a good deal in circus movies: criminal offense. Once we initially satisfy The Very little Tramp, he’s watching a sideshow with a big group even though a man beside him picks the pocket of the wealthy spectator, then tries to toss the blame on Chaplin by swiftly moving the wallet